Everything is great set a new record in the house as the show celebrated the end of Daniel Radcliffe’s run last week.
The play brought in $2.3 million, also making it the highest-grossing show of the week, with an average paid admission of $291 and 100 percent capacity. Mariska Hargitay took over the role starting May 26.
Hamilton, The Lion King and Death of a salesmanstarring Nathan Lane and Laurie Metcalf, with the latter grossing $1.6 million over a week of seven performances. MJ It was the fifth highest grossing show, with Oh Mary!Starring Maya Rudolph, it is close to making $1.5 million.
All new musical Tony nominees Lost Boys, Shmegadon, two strangers carrying a cake and Titanic It also raised its numbers slightly last week, ahead of the Tony Awards on June 6, as it did RagtimeE, up to $40,000 to $1.3 million; and Cats: Jellicle Ballup $81,000 to return to the million-dollar mark.
Celebrity biography Its capacity increased to 59 percent but still brought in just over $111,000 with an average ticket price of just $20 (up from $15 last week).
Death becomes hers It appears to have seen some recovery since its closure was announced on June 28, with box office up $180,000 from the previous week, to just over $873,000, with capacity reaching 86 percent.
The Broadway League also released end-of-season statistics for the 2025-2026 season, which began on May 26, 2025, and ended on May 24, 2026. During the 2025-2026 season, Broadway shows brought in a total of $1.91 billion, with total attendance of 14.6 million. This represents an overall increase of one percent compared to last season and a 0.6 percent decrease in attendance (although the 2024-2025 season was 53 weeks compared to 52 weeks this season). These numbers remain troubling given the rising costs of producing Broadway shows and the industry’s continued post-pandemic track record.
“As we release these season numbers, one thing is clear: audiences still have a deep passion for live theater. Even in a challenging economic environment, Broadway has remained remarkably on par with last season, reflecting the resilience of this industry and audiences’ connection to these shows,” said Broadway League President Jason Lax.
