As Namkeen celebrates its 44th anniversary, director Gulzar revisits the cinematic gem that laced Samresh Basu’s novel with unforgettable heroines. It delves into the complex dynamics between these characters and Sanjeev Kumar’s role, creating a tapestry of emotions. Moreover, Gulzar talks about his exceptional partnership with musical genius RD
As Namkeen turns 44, legendary director and lyricist Gulzar revisits one of his most influential films in this exclusive interview with ETimes. He talked about his origins, personalities, music and lasting influence.
Excerpts from the interview:gulzar saab, Namkeen It remains one of your most beloved films. What does it mean to you even today?I have to admit, I’ve always had a soft corner Namkeen. It’s like your child who fell behind in the race. Samresh Basu has always been one of my favorite authors. I had read all of his works in the original Bengali, so I was aware of the nuances that are often lost in translation. Namkeen Based on his story, which I have loved since I first read it.The film had a strong gallery of female characters. What attracted you to them?For me, the most interesting part of Namkeen These were the four women, one of whom was over the age of marriage, one of the age of marriage, another who was approaching it, and their mother who constantly worried about them.
She confirmed her fears in the film. The way these women cling to the man who enters their lives, he starts out as a mere tenant but soon becomes their support system. He shares a unique relationship with each of them.You had a great cast, Waheeda Rehman, Sharmila Tagore, Shabana Azmi and Kiran Virali. Was it difficult to get them together?never. Why should it be difficult? If you offer actors good roles, why do they refuse? They all performed beautifully. Yes, Kiran Virale reminded me of Jaya Bhaduri.
And Sanjeev Kumar held his own brilliantlySanjeev Kumar has always been my first choice for male leads. In my cinema, there were two constants – him and RD Burman. I have had the honor of working closely with both.Your collaboration with RD Burman has brought us classics like ‘Parichay’, ‘Khubsoorat’, ‘Aandhi’, ‘Kitaab’ and ‘Namkeen’. What made it so special?Pancham was a distinguished and versatile composer. His work with me was very different from what He did with others.
I never gave him reference points, I was just telling him what the movie needed emotionally.Is there any memorable moment from composing namkeen music?Yes, while working on the song ‘Phir Se Aaiyo Badra Bidesi’ sung by Asha Bhosle and performed by Shabana Azmi, there was a gap in the composition. Pancham felt a line was needed, so that’s when we added, “Tujhe meri kaali kamli wali ki sau…”Was it difficult to get the rights to Samresh Basu’s story?I met Samresh Basu personally. He had a beautiful smile and a very warm personality. I met him for the first time when I was helping Bimal Roy. I rewrote the story of the film but made sure not to distort it.
For me, the story is the raw material for the screenplay, just as the script is for the movie.the address Namkeen Quite unusual, like your other films. What’s the story behind it?I think a movie should be defined entirely by its title. I gave the title at the beginning Namkeen To Hrishikesh Mukherjee, but he did not like it. I said to him: “Main Apco Experiences Address di raha hoon,” and she took Namkeen behind.Is the title inspired by Nimki’s character?No, not really. If you try to over-analyze the title, it will sound silly. The title should have room to grow over time. Similar to Alfred Hitchcock’s appearance in his films, it may seem arbitrary at first, but over time, you understand its importance.