Sony Pictures shuts down visual effects company Pixomondo in production shift

Anand Kumar
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Anand Kumar
Anand Kumar
Senior Journalist Editor
Anand Kumar is a Senior Journalist at Global India Broadcast News, covering national affairs, education, and digital media. He focuses on fact-based reporting and in-depth analysis...
- Senior Journalist Editor
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Sony Pictures’ plans to trim its visual effects and virtual production company Pixomondo to focus on Vancouver-based Sony Pictures Imageworks are the latest sign of production shifting to incentive-friendly Canada.

A week ago Sony Pictures told employees at Los Angeles-based Pixomondo that their visual effects operations would cease after pending projects or contracts were completed, and that the master studio would streamline its visual effects work internally at Imageworks. Hollywood Reporter And he confirmed. Pixomondo has VFX studios in Culver City, California, Vancouver, Toronto, Montreal, London, Frankfurt and Stuttgart in Germany.

In addition, PXO Clara, game of thrones VFX House’s LED volume division will also begin the closing process, with some operations, including the newly launched volume stage in suburban Vancouver, to be absorbed into the Sony group. Once again, all outstanding contracts will be fulfilled.

PXO Clara has separate LED volume stages operating in Vancouver and Toronto. THR You understand that plans to close Pixomondo are still in development and are subject to legal and regulatory hurdles. Therefore, there is little visibility into potential job losses, especially since Pixomondo’s VFX artists are hired to work on specific projects and may move on to additional work within the Sony Group.

But the planned closure of Pixomondo as operations are funneled to Sony Pictures Imageworks – part of the main studio behind Spider-Man franchise and Sony Picture Animation’s A goat – Highlights the continuing lure of Canadian animation and tax incentives for visual effects. Benefiting from Canadian animation and visual effects tax credits is in the mix as U.S. entertainment giants embrace new business models in the wake of the twin 2023 Hollywood strikes and as the era of peak television fades.

The animation and visual effects business north of the border itself is being upended as major studios and streaming companies cut budgets on blockbuster films and cut production, and as artificial intelligence increasingly threatens the sectors to reduce jobs and careers.

But that makes Canadian soft money more attractive like Sony Pictures Imageworks, where it has had box office success for Spider verse and Demon hunters in kpopjoins other international studios in moving work to production hubs in Toronto, Vancouver and Montreal that are rich in talent and budget-friendly when looking to produce affordable, high-quality work.

Imageworks, headquartered in Vancouver, has offices in Montreal and Los Angeles and a growing West Coast workforce relocating to new production spaces at The Post in downtown Vancouver, along with office space used by Amazon’s local technology hub.

Imageworks first opened a production office in Vancouver in 2010, and the move of its headquarters from Culver City, California to the Canadian city in 2015 was accompanied by a high-profile visit by senior British Columbia politicians, including then-Premiere Christy Clark. On the back of helping produce original works for Hollywood, Canadian animation and visual effects artists and studios can now deliver the kind of cutting-edge TV shows and blockbuster films that consumers have come to expect, without the high budgets that major studios and streaming companies want to tame.

Canada also offers an international co-production financing model that allows local animation studios to share risks and rewards with foreign partners on content with global appeal, with each bringing in soft funds.

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Anand Kumar
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Anand Kumar is a Senior Journalist at Global India Broadcast News, covering national affairs, education, and digital media. He focuses on fact-based reporting and in-depth analysis of current events.
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