Shatrughan Sinha’s new autobiography, Anything But Khamosh (by Bharathi S. Pradhan), lifts the curtain on a chapter of the actor’s life that Bollywood gossip pages long whispered about: an on-and-off relationship with actress Reena Roy that overlapped his marriage to Poonam Sinha. The book revisits a tense episode from 1983 when Shatrughan’s elder brother Ram reportedly demanded he marry Reena immediately — even as Poonam was eight months pregnant with twins. This article unpacks that revelation, the people involved, the wider industry context, and what it tells us about fame, family pressure and personal responsibility in Bollywood’s golden years.
According to Shatrughan’s biography, he had a sustained romantic relationship with Reena Roy that continued after he married Poonam Sinha. In 1983, while Poonam was expecting twins Luv and Kush, Shatrughan was summoned by his brother Ram to Reena’s home. Ram reportedly told him bluntly to “marry Reena right here, right now,” invoking Dharmendra’s famous decision to marry Hema Malini without leaving his first wife. Ram claimed he had given his word to Reena and threatened to make the affair public if Shatrughan refused — even distributing a letter to family and close contacts insisting Shatrughan must marry Reena. The actor’s secretary intervened, informing Shatrughan on set and helping to defuse the crisis; the marriage with Poonam survived and Reena later married Mohsin Khan.
Ram Sinha’s argument — that Dharmendra married Hema Malini without abandoning Prakash Kaur — reveals how personal actions were sometimes justified by high-profile precedents. In the 1970s and 1980s, Bollywood stars’ private lives often collided with public morality and family honour. Ram’s move to threaten exposure highlights a familiar dynamic: family acting as both moral arbiter and political power broker. Ultimatums like the one described in the biography are dramatic, but they also signal how the reputations of multiple people (wives, lovers, children) are leveraged when scandals threaten livelihoods.
Producer Pahlaj Nihalani’s recollection — that Reena gave Shatrughan an eight-day deadline to decide whether to marry her or she would marry someone else — adds another layer. That claim (spread widely on social platforms) reinforces the idea that Reena was seeking a settled future. Eventually Reena married Mohsin Khan; the marriage later ended. Whether the eight-day story is literal or part of industry hearsay, it underlines how careers, romantic choices and pragmatic life decisions were often tangled together.
Ram’s comparison to Dharmendra’s marriage to Hema Malini is important context. Dharmendra’s high-profile relationship and eventual marriage to Hema, while still married to Prakash Kaur, was a widely discussed affair of public interest and a cultural inflection point. Using that example, Ram implied that Shatrughan could find a similar social and industry acceptance. Yet the social costs and emotional fallout of such moves are rarely symmetrical — they affected different people in different ways.
Shatrughan makes a deliberate editorial choice in his book: he insists he avoided naming many women and refrained from sensational detail. He says he aimed not to “hurt anyone’s dignity.” That selective silence is meaningful — it’s an attempt to reconcile truth-telling with respect for privacy. The confession becomes less a salacious exposé and more a self-examination of choices and consequences.
The book’s revelations triggered immediate reactions:
“I have to tell every man that an extra-marital situation puts you on a perpetual guilt trip.” — from Anything But Khamosh (as paraphrased by Shatrughan).
“Ram asked me point-blank to marry her, right there, right then.” — Shatrughan Sinha, recounting the 1983 ultimatum.
Authored by Bharathi S. Pradhan, the biography compiles Shatrughan’s memories from his early days at the Film Institute in Pune, his rise from villain to star, to the intense personal chapters of his life. The decision to disclose the Reena episode appears driven by an urge for completeness — a desire to narrate life honestly while refusing to exploit private lives of others by name.
Bollywood’s history is full of romantic entanglements — some that became public spectacles, others that remained private. These stories, repeated over decades, shaped public assumptions about morality, masculinity and celebrity. Shatrughan’s story joins a lineage: revealing the costs borne by partners, families and children when personal choices intersect with public careers.
Shatrughan Sinha’s account is an uncomfortable but instructive reminder: celebrities are fallible, families can be unpredictable, and choices have long tail effects. The biography’s tone — candid but measured — invites readers to balance curiosity with compassion. The episode with Ram, Reena and Poonam is not just gossip; it’s a compact case study in family dynamics, social pressure and the human consequences of living in the spotlight.
Report Source – The Indian Express
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